 4 stars
Two adult gay men reckon with being part of the community now that's out and proud and more accepted in modern culture—with vastly different results. With a sharp focus on the generation of cis white men who grew up with the fear and the secrecy and never expected to be thrust into the mainstream, this was an interesting and thought provoking read. Plot/Pacing: ★★★★ 1/2 Character development: ★★★★ Scope: This was focused on cis white gay men and their experiences Sebastian and Oscar grew up as friends. Both gay, cis, and white, they experienced several early moments together and were relatively close. But as adults, they drifted apart. In Let's Get Back to the Party, author Zak Salih invites us to tag along with Sebastian and Oscar as they go their separate ways in adulthood. While they started out with similar childhoods and share a gay cultural identity, the two have manifested those experiences very differently as adults. Sebastian looks at the modern world around him in awe. A teacher, he finds himself increasingly obsessed with one of his young male students. The student has been out and proud for years, has a boyfriend, and has enjoyed being a gay man in modern America. Grappling with his odd place as being too old for that type of generational freedom of expression, Sebastian watches it unfold in the younger generation and muses on the pasts and futures of the gay community. Oscar looks at the modern gay experience with more negative feelings. Seeing the assimilation of the community into the straight culture—and the number of gay men doing the "straight" thing and getting married and settling down—he sees the lifestyle that the community carved for themselves disappearing before his eyes. He becomes obsessed with the past, and fixates on a famous gay author's past works instead. A deep dive into the complicated intricacies of generational loss and growth, Let's Get Back to the Party is a read that is hard to forget. I really enjoyed the messy and complicated truths that the author presented for us in the archetypes of Sebastian and Oscar. While it's true that both of their experiences reflected the white, cis male gay experience and do not speak to the intersectionality at play in other conversations, this was still an intimate portrait of how modern times have fundamentally changed that community for better and for different. Really appreciated the read. Thank you to Algonquin Books for my copy in exchange for an honest review.
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 4 stars
A brutal slice of life into the world of Rafael's rodere—I really enjoyed this entry into the series. Given the usual length of Anita Blake books, this was basically a novella! But a very important one with the seeds of bigger plots to come... Plot/Pacing: ★★★★ 1/2 Character development: ★★★★ New ideas: ★★★★ Enjoyment: ★★★★ Let's get a housekeeping note out of the way. Yes, I love this series. Yes, I know that they are not everyone's cup of tea. I'm also aware that they tend to be a bit long-winded, overly invested in the relationship drama, and sometimes get tediously caught up in dialogue. That's just part of what this series is about - and I, for one, have loved them for years. So please note my deep affection for this series and take that into account for my reviews. Rafael is latest entry into the world of Anita Blake, a version of the U.S. where vampires, were-animals, and the undead all exist in our modern society with interesting—and often bloody—results. This is not an entry point novel for the series. In this latest installment, we finally(!) get a window in the world of the rat king, Rafael. The wererats have been a powerful were-animal faction in St. Louis for some time in the Anita Blake novels and are known for their fighting ability, their pack's strength, and the fact that their national king, Rafael, has been an ally to Anita Blake for years. It's time to peel back the curtain on what goes on in the kingdom... Rafael is in trouble. His ties to Anita—and therefore his perceived ties to Jean Claude and the other weres in Anita's sphere--have made him appear weak to the rest of the wererats across the country. They think it's time for a new king. And the way the rats determine their ruler is by blood. Specifically, a fight to the death. So Rafael's been fighting in the pits now, defending his crown and title, for some time. The only way to become the new rat king is to kill the old one... Anita Blake wasn't aware of just how bad Rafael's standing has gotten. When he asks her to attend this latest pit fight against the best challenger yet, Anita knows something must be different about this fight. For the first time, Rafael doesn't know if he's going to win. When Anita shows up, to her horror she realizes that a) there's someone familiar pulling the challenger's strings and b) her relationship to Rafael is about to get tested, and brutally. Can she fight her way to the top of the rat pile and assert her place while protecting Rafael from this latest deadly threat? We know she can, she's Anita Blake, but what exactly will she learn along the way? There's a different kind of magic amongst the rodere that they've kept hidden for some time... I thought this was one of the strongest entries into the Anita Blake series that we've seen in quite some time. Part of that was due to its subject—Rafael's world has never been fully described, so the newness was appealing to me—and the other part was its sheer short length. We didn't have time to get overly drawn into the relationship dramas (even though the characters did their best to do so anyway!) and therefore a lot of the usual "not this again!" feelings weren't present. I am also extremely intrigued at what the author alluded to with the addition of the wererats' magic systems... it bodes well for Anita Blake's character arc and opens the door for more books to come featuring this new thing. Don't skip this one in the series, folks! It's a good one and not the usual spin-off fare. Thank you to Berkley for my copy in exchange for an honest review.  4 stars
Camilla Bruce is now on my list of must-read authors. Her interest in the darker elements of the female experience—and in this case, the sociopathic murderous elements—makes for fascinating reading. This was a great work. But it could have been shorter. Concept: ★★★★★ Character portrayals: ★★★★★ Pacing/Length: ★★★ Have you heard the story of the Widow of La Porte? Belle Gunness' reign as one of the most prolific female series killers in early 1900s America is a chilling (and true) tale. Belle Gunness was born Brynhild Storset in Norway in the 1800s to a poor family of rural tenants. Her earliest years are spent with vicious nurture and violent nature, and an early sexual encounter gone extremely sour—the author's editorializing at work with this fact, as this encounter is rumored in Norway but not officially confirmed--leads to her first murder. Little Brynhild poisons her abuser and likes the feeling of power she gets. Little Byrnhild doesn't do well in Norway. The villagers whisper about her and her pride chafes at the knowledge that everyone in her small town knows of her shame. She writes to her older sister, Nellie, in America and desperately asks for her to help her. Nellie agrees to fund Brynhild's voyage to America and takes her under her wing in a Norwegian-American apartment community in Chicago. Brynhild becomes Bella. Bella's pride, greed, and need for control over the men in her life lead to some dark decisions... and her sister Nellie begins to suspect that something is not all right with her sister. As the years go by, Bella's life seems to be marked by obvious tragedy. Her husbands and children just keep...dying. And her homes and businesses just keep... burning down. What's up with that? Eventually, Bella moves to rural Indiana and marries Peter Gunness, her new persona as Belle Gunness begins. And once Peter suffers a tragic accident with a meat grinder—or cleaver, depending on who you ask—what's a twice-made widow to do with a huge farm but create an ad asking for male farm hands to come and help her? It's not exactly her fault if all the men disappear in the night... The black widow spider creates her wicked web... Told in two points of view, one from Belle herself and one from her sister, Nellie, In the Garden of Spite takes us along for the ride as we silently witness Belle's entire life from girlhood to her bloody reign as Belle Gunness on her murder farm. It's a chilling tale meant to unsettle, and Camilla Bruce's mastery of ominous, distanced writing really sells the tension throughout this almost 500-page novel. But bringing up the length of this book brings up my only caveat—it was pretty long. In the marketing, the focus is entirely on Belle's time in La Porte as a murdering farm widow. This seems to be a bit misleading and definitely affected how I viewed the pacing of the book. When you start a book expecting to read a novelization of the Widow of La Porte....and then it takes 380 pages to get to Belle's life as "Belle Gunness" in the first place... Honestly, it made the first 3/4 of the novel feel incredibly slow. I kept waiting for the "real" plot to happen and that took away from the experience of reading the characters' life stories. I'd definitely recommend going into this knowing that you're getting a life's story and not a snapshot novelization or a glorified true crime fixation. This is a personal and chilling character study of one woman's descent into the darkest levels of the human psyche and her lack of acceptance of her own darkness. It's also about the toll that life on her loved ones, and the knife's edge between loving and protecting your family versus realizing the monster in your family tree. Definitely read the author's note at the end - it gives a lot of context for Belle's real life, the amount of research the author used, and a key list of artistic differences that the author decided to take on in order to explore the themes. Thank you to Berkley, Goodreads, and NetGalley for my giveaway ARC of this title in exchange for an honest review.  3.5 stars, rounded up!
An American railroad heiress, an English duke in need of funds, and an arranged marriage with a lot angst and chemistry than anyone is expecting. Plot/Pacing: ★★★ Characters: ★★★★ Drama: ★★★ Enjoyment: ★★★★ August Crenshaw is the oldest daughter of an American railroad tycoon. She's got a head for figures and enough ambition to hold her own... and yet. When her parents give her and her younger sister, Violet, the ultimatum that one of them must marry a duke in England... August can't believe it. Will she have to compromise on her autonomy and freedom sooner than she planned? Evan Sterling, the Duke of Rothschild, is up to his ears debt thanks to his father. Evan never planned on being the duke of the family and he certainly never planned on having to save his family from ruin, but here he is. When the Crenshaw family shows up in England in need of a title, Evan sees a way out. But then he meets August in an underground brawl in Whitechapel and one fated kiss will forever change the outcome... As August and Evan navigate the tangled landscape of England's Society, her parents expectations, and Evan's desire to win August on his own merit and not for his title, they find they might be in for more than they bargained for. I thoroughly enjoyed this debut. It had some refreshing twists on some old tropes and I LOVED how August's fierce need for independence shown through as both a positive trait AND a negative one. I know how bizarre that sounds, but hear me out—she's stubborn to the point of ignoring her own desires and the facts around her, and to be honest that bites her in the butt. I liked the realism of that, and how it made her character more human and less "perfect protagonist." There's also the perfect set up for the next novel, of course, with August's younger sister Violet in need of a duke of her own... Looking forward to reading that one too! Thank you to Berkley for my copy in exchange for an honest review.  4 stars
Ever read a book with such hypnotic writing that you lose all sense of place and time? Welcome to the words of Everywhere You Don't Belong. Writing: ★★★★★ Characters: ★★★★ Plot/Pacing: ★★★★ Claude McKay Love is just trying to live and thrive in life. Born and raised as a Black man on the South Side of Chicago, Claude's lot is already complex and complicated. It's made even more so with the introduction of riots around his home and the situation of his area. His grandmother, a product of the civil rights era, pushes Claude toward change, and his family members, neighbors, and others in his community push to make him act one way or the other. But Claude is just trying to live. As we stride hand-in-hand with Claude through his childhood years and into adulthood, we have a front-row seat to his struggles to identify as a member of the Black community while also hesitant to put himself out there. He tries to leave his past and place in society behind him by leaving the South Side, attending college, and reinventing himself... but that only works well for a hot second, because as the saying goes, "you take yourself with you, wherever you go" and it's hard to outrun the fact that he's Black in America today. And at the end of the day, does Claude even want to outrun himself? With poignancy, pain, violence, and heartbreak, Everywhere You Don't Belong sounds like the opposite of a funny, heartwarming read. And yet author Gabriel Bump manages to make you laugh and smile along with Claude. It's in the writing. Bump has done something special with this debut... it sings. I strongly encourage all to read this not only for the poignant commentary but also for its shining example of endurance and light. A powerful book, and an author with writing to watch. Thank you to Algonquin Books for my copy in exchange for an honest review.  4 stars
Inspired by the true story of Indian chess champion Malik Mir Sultan Khan in the early 1900s, Game of the Gods is a transporting work that spans the farming country of India to England's elite to New York's bustling streets. Plot structure: ★★★ Character's voice: ★★★★★ Enjoyment: ★★★★ In 1930s British India, a young Malik wants to learn how to play chaturanga, an Eastern ancestor to chess with deeps ties to myth, faith, and enlightenment. Malik meets the wealthy Indian landowner who oversees his small rural village and shares his dream—and to his shock, the landowner takes him back to his palace and grooms him for the game. Over the years as young Malik grows in talent, he becomes a bauble to his patron, and his patron sees an opportunity: Malik can beat Westerners at the modern game of chess, too. Soon, Malik finds himself in England and competing against the white elite. Malik always wins. And in the 1930s, his Indian ancestry does not endear him to the British public. Game of the Gods follows Malik throughout his entire lifespan as we watch his humble beginnings turn into lush winnings and then to mysterious World War II side rooms and finally to a scandalous murder in New York City. A surprisingly passive participant in his own life, Malik's adventures come to him like wafts of air, taking him from place to place. Italian author Paulo Maurensig used the real-life inspiration of Malik Mir Sultan Khan for Game of the Gods, but he is clear to point out in his forward that there are embellishments to the story. It was relatively easy to tell what was most likely fiction... but that did not stop me from enjoying the tale at all. This was mesmerizing. I enjoyed Malik's story and found myself extremely invested in how his life would turn out—which was truly something, as right at the beginning of Game of the Gods we are introduced to Malik at the end of his life. So from the top, we know how the story must end. But I still found myself cheering for him at every step. Fantastic story, beautifully told. Recommended for all fans of the era, chess or strategy games, and good storytelling. Thank you to World Editions for my copy in exchange for an honest review.  4.5 stars
A Southern exposé in a certain way, with grace and pain wrapped between frankly beautiful written pages. I was not expecting to love this story of a white man in the South, but there are some kernels here and no one was more surprised to find them than me. Characters: ★★★★ 1/2 Writing: ★★★★★ Pacing: ★★★★★ For those who know me here on Goodreads and in the book community, you might be thinking this really isn't my type of read. (You're totally right) A book written by a white dude, about a white dude in Nashville, Tennessee, with lots of white privilege and classism?? Amy, come on. Well I had to eat my hat with this one, folks, because this was stunning. Beautifully written, poignantly described, and filled with an unbelievably delicate balance of self-awareness and reflection on the hypocrisy and decay of the Southern white elite, The Fortunate Ones is a read that will no doubt be a focus of discussion in 2021. Charlie Boykin grows up in a poorer part of Nashville with his single mother, Bonnie. Bonnie got pregnant at 15 and was thrown out of her rich family's house and told never to return. Charlie never knows anything different—his Aunt Sunny is a bar singer, his mother is a cocktail waitress at a bar nicknamed The Divorcee, and his best friend, Terrence, is a Black kid with a lot of heart who looks out for Charlie. Then Charlie's life dramatically changes in high school. His mother has managed to snag him a need-based scholarship to Yeatman, an all-boy prep school known for housing Nashville's elite children with ties to old money and the Old South. Charlie has no idea what he's in for. In a move that should feel derivative of The Great Gatsby but manages to stand alone and supersede it, Charlie's life as the "outsider" passes as he reflects on, admires, craves, and worms his way into the glamorous and decaying life of Nashville's rich. His tie to his close friend and occasional secret lover, Archer Creigh, becomes one of unbalanced love and manipulation as Charlie falls deeper and deeper into a world that he's aware is wrong, racist, and fueled by the pain of the lower classes—and yet the lure of the glitz is too much for him to ignore. Spanning decades and locations, The Fortunate Ones feels like an epic wrapped in a mere 300 pages. Charlie is—surprisingly, for me as a woman from a lower middle class background—a likeable narrator to follow. He's both aware of his privilege and yet aware enough of his ignorance to own up to his blindness in certain arenas. The people of color in this novel are marginalized and relegated to stereotypical Southern roles, and we as readers are uncomfortably aware of that boundary line even as young Charlie and old Charlie miss most of it. The women of this novel are trapped in the gossamer cage of the trophy, the accessory, the beautiful—and while Charlie catches some of that and misses most of it, Tarkington's skill as an author highlights it for us despite his own narrator's ignorance. I found that extremely well done. Another element to this story was its fringe revelations in the handling of its gay and lesbian characters. In a society where sexuality is strictly forced into a heteronormative binary, Tarkington's way of highlighting that rot and hypocrisy by having Archer's sexuality bleed through the edges of the page was fascinating, along with Charlie's interactions with a mentor figure who exists as a lesbian amongst this world of "good old boys." I really can't talk about this element without spoilers, but wanted to highlight that it's here for those who would automatically dismiss the story as not including that element. (I totally did that, honestly, so I'm raising my own hand.) What a beautiful, lingering piece of fiction. Thank you to Algonquin Books for my copy in exchange for an honest review.  4.5 stars
Disturbing, heart wrenching, powerful, and shattering. A Muslim lawyer takes on the hardest legal case of her career and finds the lines between professional and personal slipping as she defends a disabled white girl in her accusation of rape against four local Muslim boys. This is not a casual read by any description, but it is an extremely powerful one. Writing: ★★★★ Plot/Pacing: ★★★★ Characters: ★★★★★ A court case surrounding a "he said, she said" rape trial with the added complexities of disability and racial tensions? Yeah, we went there. And it was as messy as you can imagine it to be. Jodie is a a 16-year-old white girl with facial deformities and a story to tell. When she walks into the Artemis House, a legal institution that provides council to women, and tells her story... it's shocking. In it, she accuses 4 Muslim boys from her high school of violence and sexual assault. Zara, a Muslim herself, is Jodie's case worker. She believes Jodie and vows to defend her no matter the cost. However, Zara herself is dealing with several personal issues during this time as well. Her family life is shattered: when Zara flees her husband's family and a bad arranged marriage, she's branded negatively by the local Muslim community. Her family is upset at her lack of tradition, her lack of subservience, her mental fortitude and independence. Adding this sexual assault trial against "their" boys does not help matters. It also doesn't help that Zara's struggling with her emotional state and her dependence on prescription drugs. When life throws you curveballs, why not take a chill pill? When one becomes two becomes more.... Zara's sinking here too. And then more things come out about the case, and Jodie's story... Just who, exactly, is telling the truth? My thoughts: It's a testament to the author's talent that she evokes such strong themes and visceral reactions to her story. For that reason, Kia Abdullah is one my list to watch for future books. While I think I'm done with sexual assault themes in novels for good—NOT the fault of this book, but something I've learned through trial and error this year is not a good topic for me to consume for personal reasons—this was an extremely powerful and well-told story. One of the strongest elements of this novel is the balancing act between the two storylines and the actual truth. Like most court cases, the truth lies somewhere in the middle. I appreciated the author's deft handling of the plot's conclusion... especially as it would have been so easy to misstep and deliver one of the more expected outcomes. This is the kind of novel that continuously asks you, the reader, to check yourself. Are you experiencing bias by wishing for this outcome or the other? Who are you siding with, and why? How do you respond to Zara's personal quagmires? Just who exactly is "winning" here, or are there no winners? A complex book. Recommended reading for all readers of the genre and, honestly, other adult fiction readers too. A powerful story that deserves a wide audience. Thank you to St Martins Press for my copy in exchange for an honest review.  4 stars
A singular, comedic novel about a 20-something woman on the spectrum with a lot of things she doesn't like that could probably be summarized as: Other People. Plot/Pacing: ★★★★ Characters: ★★★★★ Dialogue/Formatting: ★★ Not for me Enjoyment: ★★★★ Big Girl, Small Town is a very unique read. For one, it's extremely funny if you like your humor with some bite and darker edges. For another, it is an extremely compelling character study. While I personally had some issues with the formatting, I think this is a stunning debut by an Irish author to watch. Majella is a 20-something young woman living in a small Northern Ireland border town with her alcoholic mother. She has a job, she has strong likes and dislikes, and most importantly she has a lot of opinions about the world around her. Told over the span of one week's time, almost down to the minute-to-minute experience, we live Majella's structured existence with her and discover a few things along the way. It's a quirky, over-the-top yet poignant slice of life read with a LOT crammed into its pages. What will Majella's week bring her? And will she like it? My thoughts: Majella is a character that will stay with me for a long, long time—and that's a good thing. The author's ability to bring Majella to stunning, technicolor life is something to be admired these days in fiction. I look forward to this author's future works almost solely because of this. Characters are the backbone of every story, and this one's backbone is STRONG. Besides the glowing positives, I will say that I, as a personal reader, struggled with the formatting and structure of the book. For one, it uses dashes for dialogue instead of quote marks. Yes, I know that seems super minor, but it's not to my preference and therefore it took a while to get into the novel... and I want to highlight it for other readers who may also need the warning. The structural issue I had was in relation to the plot's pacing—living the one week in extreme detail with Majella was a bit tiring for me. I'm used to more breaks from my main characters, and used to more time progressing. Again, complete personal preference! However, personal notes aside, this is a stunning debut and I would encourage other general fiction readers to give this one a try! Thank you to Algonquin Books for my copy in exchange for an honest review.  4.5 stars
The perfect winter night read with a dash of murder and buried secrets. Enjoyment: ★★★★ 1/2 Plot/Pacing: ★★★★ Villain(s)/Reveal(s): ★★★★ 1/2 A car is found stranded on the side of a snowed-in road later one dark evening. The door is open. Inside the rapidly freezing car is a small baby boy staring out. What happened to the mother? Why did she appear to go peacefully, yet leave her child to the freezing elements with the door open? Vera Stanhope and her squad of British cops are on the case. It's Vera herself who discovers the baby and the car, and when she takes him to the nearest lit house in the dark she's shocked to realize that it's the ancestral manor home of her estranged father. That side of the family is rich and snooty and Vera's not thrilled to be back. But the baby and his mother take priority. This interesting clashing of the classes occurs in the midst of the missing persons case turned deadly: within a few hours, the mother's body is discovered brutally murdered on the grounds of the estate. With a closed list of suspects, a small town filled with buried secrets, and the threat of an undiscovered murder, it's time for Vera to connect the dots of the past and see just what happened on the darkest evening. So this was my first Vera Stanhope and Ann Cleves novel, but it will NOT be my last one. I thoroughly enjoyed it. Vera took some getting used to and her team was odd, but overall a really solid mystery tale with all the hallmarks of the classics. Strong points in this novel were the final reveals, the atmosphere, and the unfolding of secrets. Thank you to the publisher for my copy of this title in exchange for an honest review. |
Amy Imogene ReadsJust someone looking for her own door into Wonderland. Archives
February 2021
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All reviews posted are my own and do not reflect the opinions of any other individual or entity. When applicable, reviewed titles sent to me by the publisher are noted at the bottom of each review.
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