 4 stars
A bit long, but what a tale. Enter the woods, dark and deep, but watch out for the one who lurks in the shadows... And make sure the beacons are always lit. Don't go into Mockbeggar woods, they say. There's something in there that's not quite right. On the outskirts of a small English town, the Gonne family has stood apart for generations. The Gonnes keep odd customs and they take care of the abandoned Small Angels church down the road. They light beacons every night on the four corners of their property. And they hold vigil over the Mockbeggar woods. Lucia Gonne grew up as the youngest of four sisters on the Gonne family farm at the edge of the woods. The woods call to her in strange ways, and she finds herself constantly in trouble with her family as she breaks and bends their strict rules. Lucia doesn't understand what all the fuss is about—the woods like her, she's one of them, and her friend in the trees understands her when no one else does. Decades later, Chloe is preparing for her upcoming wedding at Small Angels, the abandoned church in her fiance's small English town. Everyone is shocked that she's getting married on that property, but no one will quite tell her why. No one meets her gaze, no one wants to talk about it, and when Chloe starts her wedding preparations at Small Angels, she feels something...off. As Lucia's timeline entwines with Chloe's, the tale of Mockbeggar woods and its secrets come into the light. For the first time, the townspeople and the Gonne family will need to talk about the secrets they've held for decades--and realize that the thing they thought had ended forever one fateful night might just be awakening again. What a glorious gothic tale for the fall season. I read this curled up in a blanket with a warm cup of tea, and that's my official recommendation for new readers. This book screams to be read in the autumn. Small Angels is a modern take on the ghost story, and one of those speculative, almost gothic tales that bridge the gap between mystery, horror, speculative, and literary. It's a multi-layered cake best left viewed as a whole and not quartered down into genre parts. I love these kinds of stories. I thought Small Angels was fabulous. My only critique is that it was too long—maybe not by much, but enough that I definitely had a hard time both getting into the story and maintaining my momentum in the middle portion. A tighter introduction with a streamlined middle would have easily catapulted this tale from a 4 star recommendation to a 5 star favorite novel without losing any of the punchy portions that made this story sing. In particular, I thought the storytelling element was superb. Telling ghost tales and fairytales around a fireplace, whispering about past legends... that kind of atmosphere is what Small Angels is about. And it nails this energy. It's one of those storylines that feels like its own tale from the fireside, fleshed out into a full novel with side characters and modern-day quests. Come for the small town, creepy elements. Stay for the storytelling core and the sense of triumph over evil.
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 4.5 stars
What a neat concept for a horror (speculative?) novel centered on the deep, dark woods. Come for the split-timeline horror pitch—stay for the creeping tension and seriously trippy finale. Concept: ★★★★★ Pacing: ★★★ Enjoyment: ★★★★ The Dark Between the Trees is a novel I've put off reading for quite a long time. I'm not completely sure why, but the core idea is that I thought I knew what this novel was about. Let's clear that assumption right away: I did not. This is one of those nebulous stories that sounds really vague and predictable from the synopsis. A group of people disappeared into a supposedly haunted woods in the long-ago past. Today, a group of people head into that same woods to see if they can discover what happened to that lost group. Dun dun dun, it's about to get dark real fast. (And we don't think that present-day timeline group of people are going to have a good time.) On the surface, that IS what this novel is about. Two timelines, two groups of people, two ventures into the deep dark with unexpected trials awaiting them. But let me be both vague and yet, hopefully, more interesting—this novel takes us to some interesting places. I found myself captivated by the tension and anxiously eager to see where this plot was heading. It's a taut, bare-bones plot with a great sense of ominous atmosphere. And its ending is truly quite cool—can't say it's something I've read before and it's very unique in its particular level of execution (or at least, it was new to this reader). Is it a mystery/thriller? A horror novel? An unexpectedly speculative/magical adventure? All of the above? ...Yes and no. This hybrid beast is all of the above, and I think that's partially why the ratings for The Dark Between the Trees are so lukewarm. It's not enough of a mystery, not enough of a horror, not enough of a resolution. It just is. It's a lingering, half-formed, folkloric kind of thing. If you like weird little tales of the dark woods, check this one out with an open mind. It's pretty cool.  5 stars
Obsessed with this. There is nothing I love more than a hybrid-genre, convoluted, and dramatic mess mixed with the occult and dark academia. Evocation is a dash of polyamory, a dash of messy rich people, a heavy dusting of the occult, a moderate dumping of modern-day Boston, and a clash of speculative mixed with academia mixed with paranormal fantasy vibes. Concept: ★★★ Pacing: ★★★★★ Characters: ★★★★★ Vibes: ★★★★★ As a teen, David Aristarkhov was a psychic prodigy, operating under the shadow of his oppressive occultist father. Now, years after his father’s death and rapidly approaching his thirtieth birthday, he is content as a Boston attorney, moonlighting as a powerful medium for his secret society. But with power comes a price, and the Devil has come to collect on an ancestral deal. David’s days are numbered. Reluctantly, he reaches out to the only person he’s ever trusted, his ex-boyfriend and secret Society rival Rhys, for help. However, the only way to get to Rhys is through his wife, Moira. Thrust into each other’s care, emotions once buried deep resurface, and the trio race to figure out their feelings for one another before the Devil steals David away for good… This book has oddly low ratings, considering it's a new favorite read for me. I think it's a mix of a few issues. The first and largest one being that this novel is not too much of any one thing. The dark academia folks coming from The Secret History aren't finding enough literary descent into madness. The occult baddies are not finding enough buzzwords and practical plot developments to make this feel like a dark tapestry of occult happenings. And the people who like strictly fantasy, or horror, or speculative, are confronted with this hybridized version of all three concepts wrapped up in a package that feels very... contemporary fiction vibes with its modern-day dramas and emotional politics between late 20-somethings in Boston. I like it all, folks, so this series opener was a smash hit for me. The exes drama? On point. The slow-build poly negotiations? Exquisite. The culture clash of old-world occult with talk of cell phones and Boston apartment costs? I love that duality. Evocation will be a slow-burn hit for those who like to read a little bit of everything. I hope it finds its audience, as I NEED the author to keep going and write us more about these characters and their world. I'm obsessed. Very much looking forward to where ST Gibson takes us with this series, especially as we move beyond the opening act of relationship-dynamic excavation and move on to the good stuff in the demonic plot and the (hopefully) good ending for all of our favs on the page.  5 stars
A new favorite book!! Like a continued conversation of C.S. Lewis' Narnia but with some much-needed modern updates and encapsulating the most important bit: the joy of portal fantasy. Concept: ★★★★ Pacing: ★★★★★ Characters: ★★★★ Plot: ★★★★ As boys, best friends Jeremy Cox and Rafe Howell went missing in a vast West Virginia state forest, only to mysteriously reappear six months later with no explanation for where they’d gone or how they’d survived. Fifteen years after their miraculous homecoming, Rafe is a reclusive artist who still bears scars inside and out but has no memory of what happened during those months. Meanwhile, Jeremy has become a famed missing persons’ investigator. With his uncanny abilities, he is the one person who can help vet tech Emilie Wendell find her sister, who vanished in the very same forest as Rafe and Jeremy. Sometimes, there are stories that come out of nowhere and knock you back on your feet in pure joy. The Lost Story was one of those tales for me. I went into this novel with little to no expectations—it was my Book of the Month book club pick, and seemed like the best of the lot in a lackluster selection pool. So it was to my pleasant surprise that I found myself captivated by this fairytale of childhood escapades colliding with adult dreams. If you were a Narnia kid, you've got to give this novel a try. (And, if you weren't a Narnia person for the religious reasons, rest assured that this story is a safe space for you too as religion is not a factor in this remake.) The Lost Story is about two adult men coming together again after decades of separation and separate grief periods following a mysterious lost period of their childhood. It's also about an adult woman looking for her long-lost sister, who she never knew but has always mourned. And it's about "finding" in all of its forms. Finding your way, finding love, finding home, finding what was once lost. Like all the best fairytales, this story isn't that deep yet hits all of the deep notes. We're not excavating Christianity like C.S. Lewis, and we're not trying to take any moral stance on anything. But we are coming to the meaning of love, and acceptance, and overcoming childhood traumas to discover inner peace. I think it's best to go into this novel with little more than that as preparation—part of the magic is in the joy of experiencing this story for what it is. However, please note there are some trigger warnings: childhood abuse, parental abuse of father to child (not sexual), trauma from those experiences affecting the child as an adult, confronting your abuser, homophobia.  5 stars
I loved everything about this debut. Generational bonds between the women in one family line tied into one horror-tinged speculative debut with Cree Canadian roots. Bad Cree snuck up on me. I saw the cover a few times in the store and it caught my eye. But I kept passing it by, until eventually I heard someone mention that it was a story about sisters and horror-based dreaming. Those two hooks grabbed me and i knew I needed to read this story. Mackenzie keeps waking up from the same dream. This in itself isn't that odd—but the fact that she wakes up with pieces of that dream in her hand, in the real world, is odd. From twigs to the decapitated head of a crow, Mackenzie knows that a) this isn't normal and b) things are getting worse. And she's getting scared. Her Cree family, with its deep roots to the Alberta land, are far away from Mackenzie's sad apartment in Vancouver. And Mackenzie realizes that maybe its time to face the sadness and secrets awaiting her in her hometown... Combining family secrets, Cree stories, and a persistent thread of endurance and love throughout, Bad Cree was a perfect read for me. I loved Mackenzie's journey. I was here for her pain, her grief, and her family's close bonds yet tangled relationships. Having such a strong novel about sisterhood tied to a speculative horror novel was a huge win for me. Bad Cree's accessible writing and creeping sense of atmospheric dread catapulted this immediately into a new favorite read. Come for the intrigue of the "real" dreams, stay for the tension and family story. This isn't a slasher horror, or even a big bang reveal—it's a small story with deep roots.  4 stars
This novel about an atmospheric, creepy island and the haunting revelations of buried angst and secrets ending in a gory finale isn't for everyone—but wow, this hit the spot for me! Atmosphere: ★★★★ Angst/Drama: ★★★★★ Horror elements: ★★★★ Plot: ★★ 1/2 Laney is a divorced teacher with a dead sister, a rich ex-husband, and a niece now under her care. Her ex-husband gifted her their rich island property in the middle of Lake Superior, and while Laney loves it to pieces, she doesn't have the money to pay for it alone—so she rents it out as an exclusive rental property for vacationers. She hates every moment of it, but there's no other choice. So when Laney receives a call from a renter that blood and scratches have been found in a closet, and pentagrams are all over the property, she's pissed. Someone's throwing a mean prank and now she's got to fix it before the property loses more revenue. Armed with her niece, Madison, and sheer will, Laney heads to the island. However, when she gets to the shore prior to heading over to Hemlock Island, Laney discovers quite the scene: her ex-husband, his sister and Laney's ex-best friend, and two other people from Laney's past that she'd much rather forget. With spooky shenanigans and sinister consequences awaiting them, the last thing Laney needs is this tangle of interpersonal drama. But it's too late, and now this motley crew finds themselves trapped on an island—and what they're about to find will change them forever. I would categorize this novel as one of those hybrid, in-between concepts. Not quite horror enough, not quite thriller enough, not quite interpersonal drama enough. And for the detail-oriented lovers, I can see the disappoint rearing its head from the very first few chapters. This is a novel based in action, dialogue, and tension. All taking place on a truly gripping island setting in Lake Superior on the Great Lakes. (Which is in my neck of the woods as a Michigan girl, so let's be real, this was a huge sell for me.) For me, a reader who loves drama, action, and clean prose focused on goals in her mystery/thrillers, Hemlock Island was a win. I loved the tension, the secrets bubbling to the surface, the surprises blatantly hidden and revealed at the proper times. This isn't a shocking whodunit, or whydunit, or even meant to be truly surprising/shocking—instead, I found the wins in Hemlock Island to be the sheer enjoyment of the unfolding story and the ruthless practicality of the characters faced with a horrifying scenario. Come for the creepy island. Stay for the creepy island + the politics of this twisted tangle of friends and lovers and enemies.  4 stars
Stripped to the essentials, crystalized characters and electric plot. What a novella. Pacing: ★★★★ Sense of horror: ★★ Charisma: ★★★★★ Some stories just have that "it" factor, you know? Goddess of Filth is one of those. A group of young women get together one night. They host a seance of sorts, inviting the "old gods" to join them. One of them does, and it possesses one of the young women. She writhes on the ground, totally unknown, and from that night on another being walks within her skin, showing itself with its caiman eyes (crocodile relative) and its odd ways. And when the young women/demonic hybrid starts to showcase disturbing trends of femininity and agency mixed with revengeful actions against those with deepest sins... Yeah. Things are about to get interesting. Goddess of Filth was a very unique novella with a simple pitch: Girl gets possessed. But then, with its bare-bones writing style mixed with a blend of the macabre and the mundane, this novella shone. I found myself gripped, wanting to know what would happen and how it would go down. Super unique. Looking forward to exploring more from this author and more short horror from Creature Publishing.  4 stars
Loved the concept, loved most of the execution—I think this debut slightly fumbled the landing. BUT that being said, the vibes and concept were enough to keep this a personal favorite. Concept: ★★★★★ Plot/Pacing: ★★★ Enjoyment: ★★★★ Imagine this: You visit an island. Something is off about it. The people are nice, albeit your standard rural area standoffish vibe. The island itself is a beautiful piece of land off the coast of Northern Wisconsin. But there's something about these people—their clothes are dated, their cars are all rust buckets, their music is 20 years out of date. And weirdest of all... you can't find anything more tech savvy than a Walkman and a boom box. You realize the town is acting like it's 1994. And when you catch some members of the town captivated by seemingly "live" coverage of OJ Simpson's car chase in California—and then you catch them watching it multiple nights in a row—you realize something is seriously, seriously weird here. Because the entire town KNOWS it's not actually 1994. But they're acting out the scenario anyway. And then you find out that people sometimes disappear. Welcome to Clifford Island. You might not make it off... Dead Eleven is a horror release that I found out about randomly on Goodreads one day, and IMMEDIATELY knew that I needed to have it. From that pitch you just read, can't you see why?? What a concept. Layered into that killer concept was a mixed-media, brother/sister, and past/present timeline angle that I found too good to resist. So I bought this and read it almost immediately. Ultimately, I think this debut did a few things perfectly: the vibes, the lingering/creeping dread, the pulse-pounding "I need to know what happened" element that keeps you reading late into the night. Where this book fumbled was in the ending. I think it wasn't bad, but it wasn't as spectacular as its first half implied it would be. But then... maybe it will for you. Let me know! Eagerly looking forward to more horror mixed media from this author.  4 stars
What a cool, demonic sapphic noir! C.L. Polk always knows how to write the most intriguing worlds and yet keep them accessible to the casual speculative reader. Concept: ★★★★★ Characters: ★★★★ Plot/Pacing: ★★★★ First off, I must say that the Tordotcom publishing house has become unstoppable with their cover design and title choices recently. This cover + this title? It was screaming to be read. Helena Brandt is a magical woman living in Chicago in the mid-1900s. In this alternate-yet-similar America, magic and demons are all too real. And there are "good" magic users and "bad" magic users. Ten guesses as to what side Helena's been labeled... Yep, you were right: a "bad" magic user, or warlock in this world. Helena made one life-altering decision nearly 10 years ago, and the Brotherhood of good magicians cast her out for her sins. Ever since that fateful day, Helena's turned to a life of magical detective work and crime photography. But life isn't all roses and daisies for a female detective in 1940s Chicago. Especially for a queer one who doesn't stay in her lane. With enemies closing in, the law a constant threat, and an internal clock ticking ominously down to a very final end, the LAST thing Helena needs is to encounter the worst case of her detective career. She'd walk away from that job in a hot minute, but her boss offers her a deal that she just can't refuse... And now it's up to Helena to catch a killer before the deadly trap closes around her. Even Though I Knew the End was C.L. Polk at their finest. Complicated concepts done simply with accessible character development and dialogue. A fantastical world with the codes and dark sides of our real-world reality. And some very intriguing twists that feel simple and predictable...until they're not. I recommend this novella to anyone who enjoys historical noir, queer stories, demonic thrillers, and perfectly packaged short fiction. This was a fun ride!  3.5 stars
Classic K.J. Parker flair and wit! Not my favorite in his canon, but still a fun ride. Concept: ★★ Humor/Wit: ★★★★ Enjoyment: ★★★ I think it's no surprise that I'm a huge fan of K.J. Parker. Both Inside Man and Sixteen Ways to Defend a Walled City are some of my favorite books of all time--I can't seem to get enough of his wit and no-holds-barred sense of "you better keep up, because I'm not slowing down" energy. Pulling the Wings Off Angels had that classic wit and barreling-freight-train energy. What would you do if you found yourself caught in a theological paradox? Think chicken and the egg, but instead of farm animals we graduated right to the big guns: the existence and willpower of God. A clerical student grew up with the truth and lies surrounding his family name. If you believe the myth, he says, then you believe his grandfather trapped an Angel and thwarted the will of God. Despite being a supposed clerical student, our main character has always assumed that this was the myth, not the fact. Angels and God aren't actually real, right? Wrong. Said clerical student finds out the hard way that the unbelievable is possible, and the barometer of believability is much more suggestible and fragile than he imagined. Enter into the vortex with K.J. Parker and find yourself questioning everything and nothing at the same time... No matter what, you're always in for an experience. Like all of Parker's works, I find his unique writing voice and sharp wit truly one-of-a-kind. There really isn't another narrative voice out there that matches him. It's a dash of Pratchett, a splash of something sharper than Gaiman, and a heavy dose of... Parker. Pulling the Wings Off Angels was a truly fun ride. I will admit, I think it's one of my least favorites, but that's not saying much as I still enjoyed it. My personal lower rating is more to do with the subject matter and how heavy-handed the religious theme was in this novella more than anything else. (I can only handle so much theology and philosophical whirlpools.) K.J. Parker fans are already onto this novella, so my pitch here is for the newbies. If you like irreverent takes on religious, smart humor, and quick stories: pick this one up. Thank you to Tordotcom publishing for my copy in exchange for an honest review. |
Amy Imogene ReadsJust someone looking for her own door into Wonderland. Categories
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All reviews posted are my own and do not reflect the opinions of any other individual or entity. When applicable, reviewed titles sent to me by the publisher are noted at the bottom of each review.
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