Sometimes you just need a Regency romance... This was a cute and enchanting read, with more fairy tale elements than steamy scenes.
Miss Sophie Kendall, organizer of the feminist group the Debutante Underground, has a few problems. Her family is one step above financial ruin, her father is a drunk, and her family has given her an ultimatum: she must marry, he must be rich, and it must be quick.
Now, in a deviation from one of the more traditional Regency plots, it's not an arranged setup—the family has already found Sophie a marquess willing to marry her. Too bad Sophie doesn't love him...
Reese, Earl of Warshire, is a man with a serious problem: he can't sleep. We're not talking casual insomnia—he's literally killing himself with a lack of sleep. A former war general, he's haunted by the loss of his men and even more haunted by the loss of his older brother, Edmund, who was supposed to be the Earl. Now stuck in the position with more nightmares than hope, Reese is not doing so well.
One chance encounter with Sophie Kendall radically changes his life.... And begins their sweet, chaste encounters in the nighttime. In a twist that feels more like a fairy tale than a romance, Sophie agrees to spend her Friday nights with Reese—no funny business, for real—and engages in fairy tale-like adventures with him on the moonlit gardens of his estate.
But Sophie's betrothed to another, and Reese knows he has her on borrowed time...
I thought When You Wish Upon a Rogue was a cute and soft installment for the Debutante Diaries series. This was my first introduction, and to be honest I really enjoyed it! My main qualms with the story involved the lack of realism... I know that most Regency romances often deviate from historical accuracy to follow the romance, and normally I'm on board with it, but for this particular plot the facts kept me from fully immersing myself in the story. I thought it was extremely sweet, but not overly plausible.
Intrigued enough to try out the next book in series!
Thank you to St Martin's Press via NetGalley for an ARC of this title in exchange for an honest review.
A dead body in a teagarden. Secrets buried from the distant past. Political intrigue mixed with London's society. Welcome to London, 1814.
Mystery plot: ★★★ 1/2
Enjoyment: all the stars, this was the perfect evening read
Who Speaks for the Damned is the 15th book in the Sebastian St. Cyr mysteries, but don't let that stop you from picking it up--I was a new reader to this world and these characters and had a darn good time.
Sebastian St. Cyr is the Viscount Devlin in early 1800s London. He's a nobleman with a past...and a habit for ferreting out crimes that the nobles would rather be left alone.
When a disgraced former member of society winds up dead in a teagarden, Sebastian is on the case. The man is Nicolas Hayes, the third son of the late Earl of Seaforth. Eighteen years ago, Hayes was convicted of attempted assault and murder and banished to a distant prison camp for life. Thought to be dead, Hayes' recently dead body in London comes as a shock to society and unearths secrets better left buried.
Who killed this former murderer, and why?
I really, really enjoyed this one.
Sebastian St Cyr is not your average gentleman, and he doesn't care if you know it or not. Given the time period and the historical setting, I found his character extremely unique and surprising. I loved his way of questioning the ton—with surprising elements of humor—and his core of steel when it came to class injustice.
The author also did a FABULOUS job with the sense of place and historical accuracy. It felt like 1800s London, down to the dialogue, as opposed to a historical novel with just enough details. I loved the total immersion into the time period.
And, last but not least, the mystery! Obviously can't talk about this too much without spoilers, but let's just say that C.S. Harris knows how to spin a good yarn. I was right about a few things, wrong about a few things, and in the end so thoroughly entertained by the entire experience that I just settled in for the ride.
Thank you to Berkley for an ARC of this title in exchange for an honest review.
This alternative historical fiction novel centered on a "sin eater" in a version of Elizabethan England was dark, lyrical, and unforgettable.
Sense of place:
Sin Eater comes out on April 7, 2020!
May Owens is caught stealing a piece of bread in the streets of an alternative version of London. It's the time of the Virgin Queen. Taken to be sentenced, May is shocked to receive a one-of-a-kind punishment: she's been declared a sin eater.
A sin eater is always a woman. She's branded by a collar displaying an "S," and branded with a black ink "S" on her tongue. She's not allowed to speak, she's not allowed to be touched, she's not allowed to be looked at, and her entire life is plagued by the limitations of her new position—she "eats" the sins of the dying.
As you can tell, the job isn't great.
May's life as a sin eater in this alternative London was fascinating, heartbreaking, and poignantly human. This is a lingering read. I really disagree with the comparisons claiming this tale is like The Handmaid's Tale and Alice in Wonderland—neither of those comparisons resonated with me and they really miss the connections to historical England and the lyricism of this novel. This is about the grimy underbelly of London, the seedy witchcraft of a prescience era, and the life of a pariah among and separate from the people.
Also, there are no fantastical elements to this novel whatsoever, so fantasy fans take note. I still loved it, but would not call it a fantasy even in the loosest sense.
Thank you so much to Atria Books for an ARC of this title in exchange for an honest review.
This wasn’t quite what I’d hoped it’d be, but honestly that was on me and not on this book.
Quick take: Two women are trying to make their mark on the film industry of the 1950s during the Communist scare and the Hollywood blacklists that ensued as a result of the Red Menace.
Phoebe Adler is in New York, scratching out a living as a screenwriter for a mid-level detective TV show. Her shows have her name on the credits, but it's hard being a self-made woman after WWII, when the men have returned from the war and want their jobs back. Phoebe doesn't mind much, except for getting her name out there and making sure she's making enough money for her sister, Mona, who depends on her. When the Red Menace comes knocking and Phoebe's world turns on its head, London may just be her saving grace.
Hannah Wolfson is an expatriate living in London. She's managed to create a production company and successfully be an executive producer in a male-dominated world—and her husband and kids support her. But when blacklisted writers and talent arrive in the UK and Hannah decides to risk it all and hire them, odds are something just might fall through the new cracks.
This was such an immersive reading experience. Red Letter Days made me feel like I was in the 1950s, down to the prevalent mannerisms and details. It was harder for me to read the sexism—also a necessary element—because that's something I dislike in my escapist fiction, but I thought the author did a fantastic job of conveying female agency amid those issues.
However, in general I struggled with the density of the descriptions and lack of driving pacing. Due to the fact that this novel is much more exploratory and reliant on slice-of-life, this was definitely a "me" problem. The author did a fantastic job of portraying the real life struggles of these women in real time. I think I just wanted more pizzazz, more intrigue—coming from a predominantly fantasy and mystery/thriller reader, hopefully that further explains my lackluster rating.
If you are a fan of historical fiction and/or old-school Hollywood a la The Seven Husbands of Evelyn Hugo, give this a go! The atmosphere is fantastic.
Thank you to Berkley for an ARC of this title in exchange for an honest review.
Amy Imogene Reads
Just someone looking for her own door into Wonderland.