3.5 stars
What do you have when you add Salem Witch Trials, plagues, cursed witches, polygamy, oppression of women, fantasy settings, racial commentaries, and religious allegories together? This book. Writing: ★★★★ Concept: ★★★★ Pacing/Plot: ★★★ Characters: ★★★ Enjoyment: ★★★ 1/2 In the lands of Bethel, where the Prophet’s word is law, Immanuelle Moore’s very existence is blasphemy. A biracial girl in a town of only white people, her very existence brings shame to her family as it reminds the settlement of her dead mother's sins—and witchcraft. The Prophet is a man (I bet you guessed) and the town of Bethel exists as a small, settlement-type town in the middle of Nowhere, Nowhere. Their town is surrounded by the Darkwood, and the Prophet's religious teachings warn of the wood's dangers and temptations. Lilith and her coven of witches live in the Darkwood and they live in sin, and if you let them tempt you you'll be lost forever. Or at least, that's what the man says. Like so many tales of oppressive male-dominated religious regimes, The Year of the Witching is highlighting issues of gender, power, and control—and how many of those bindings go hand in hand with some extreme conservative religions. The Prophet may be in charge and he may call himself holy, but his many many underage sister wives tell a different story by the bruises on their skin. Combining issues of female agency and power, race and poverty, and a heavy dose of critical notes on religion, this tale was extremely representative and often sacrificed world building and plot for the sake of allegory. I'm not saying that it wasn't done well, but I definitely want to highlight that fact for other readers. At the end of the day, I thought this was a solid debut. As someone who likes fantasy/horror speculative novels that go there and push the reader, I thought this fell short. The messaging was fantastic, but the plot itself stopped its own progress by keeping it from going to that extra level. Things felt predictable—with the heart of the novel focused on the lofty concepts it was harder for the characters to authentically reach their goals. Without spoiling this particular novel, a good example of this would be like a book to movie adaptation. It's hard to be surprised when you go the theater to view an adapted movie from a book that you've read. You know the main plot points, you've read the book, so it's really a matter of relying on the adaptation to still surprise you with something new within the framework of something that you already know. The Year of the Witching didn't have that extra oomph for me, but I think it did for other readers. Thank you to Ace - Berkley via NetGalley for an ARC of this title in exchange for an honest review.
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3.5 stars
Given the ratings, I was surprised at how much in enjoyed this slim novel about dream walking and monsters. It’s a odd one. Concept: ★★★★ Pacing: ★★★ Memorability: ★★★ Out of Body comes out on May 26! Out of Body is definitely a polarizing novella. For me, it was a clear winner—but that's because it felt like the darker, grown up version of one of my favorite young reads. This reminds me SO MUCH of Scott Westerfeld's The Midnighters. Owen is a librarian living out his days of monotony in a haze of repetition. He's 35, but he feels both ancient and young. (He dresses like an old-school businessman, yet survives on boxed mac and cheese and frozen pizza.) One day, Owen witnesses a robbery-turned-murder at his local gas station, where he's viciously knocked out with a head injury. After his head injury, Owen discovers that something about his reality has changed. Now, he can dream walk. But other things also walk the nights...and not all of them are friendly. The novel's so short I have to stop there - spoilers! What I loved: I LOVED the similarity in concept between this novel and Scott Westerfeld's The Midnighters. Both involve a select group of people who are active during the nighttime due to speculative circumstance. (Beyond that, the concepts are very different.) I loved Owen's bland character—yes, I know that sounds like a negative, but hear me out. Owen's lack of character distinction perfectly represents the feeling of detachment that a surrealist dreamscape requires. It was the perfect amount of distance vs. Other. What I didn't love: I can see why others didn't enjoy the pacing of this novel. It was slightly odd, and slow for the beginning bits. However, I think that is also an intentional part of the distanced narrative, so this "negative" was neutral at best for me. Thank you to TOR via NetGalley for an ARC of this title in exchange for an honest review. 5 stars
CAVES. A close-knit group of people. A documentary in progress. Supernatural spooks. Lots of humor, laughs, and horror. I loved this so much. Concept: ★★★ Cave factor: ★★★★★ Pacing: ★★★★ Overall enjoyment: ★★★★★ Don't let the meh reviews fool you. If you're a fan of caves, you'll love this. If you're a fan of documentary-based horror films, you'll love this. If you're a fan of closed-in groups of people experiencing some tough stuff, yeah you'll love this too. The Anomaly follows a down-on-their-luck YouTube web series about a middle-aged man named Nolan Moore who explores the conspiracy theories and weird places of the world. For YouTube fans who understand the Buzzfeed Unsolved reference, this part of the story feels a lot like what would happen if that show got weirder, older, and less entertaining. The documentary group is scraping by, waiting for their one big break. And then, they find it. Hidden within the Grand Canyon lies a cave. An explorer named Kincaid found it during his initial surveys of America's West, and he said amazing archaeological treasures existed inside. But then he never told people where to find it, and the cave disappeared over time. Nolan is interested in finding the cave, but like all of his other documentaries, he's not really expecting to find it. The group enters the Grand Canyon and—to everyone's surprise— they find the cave. That's the easy part. Unbeknownst to them, the cave has some secrets to share. There was a reason Kincaid never wanted people to find this cave. And Nolan's crew is about to find out why. Ahhhhhhhh. This was so fun to read, folks. First off, I'm highly biased as I love any and all horror stories involving caves. I'm a huge fan of the movie The Descent, featuring caves and spooky things, and one of my favorite reads of last year was The Luminous Dead, again about caves and spooky things. So it's with no surprise that I offer this up to fellow cave fans as another entry into that sub-genre of thriller/horror. Another selling point for this book was the surprising amount of humor - like actual, laughing out loud in the room humor. Ken, the series' producer, is my favorite character because of that. Without getting into spoilers, I do agree with some of the reviewers who didn't enjoy the ending. I did enjoy it, but that's because I don't need thrillers to be grounded in reality—especially when they're explicitly clear that they have spooky elements. So I guess, a word of caution to those who do care about that kind of thing. If you're entering this spooky, horror-movie vibe book and expecting a logical boogieman, maybe this one isn't for you. |
Amy Imogene ReadsJust someone looking for her own door into Wonderland. Categories
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