I think the concepts, representation, and emotional journeys were all top tier. I laughed out loud a lot and absolutely loved the side characters with all of my soul. But I must say, the actual plot and pacing were dull by comparison.
Representation: all of the stars
Viola Carroll is finally living the the life she's always wanted. When Waterloo and the war gives her the perfect opportunity to disappear for good and start a new, true life for herself as Viola, she runs with it and never looks back.
But Viola's past has not fully escaped her, and one of the people from her past haunts her still. Her childhood best friend, Justin Gracewood, needs help.
The Duke of Gracewood is in mourning for his lost best friend. He blames himself for the loss, the war, and for his disability returning from the warfront. Gracewood is slipping into an opium dependency and a depression with no light in sight. Things are dire.
When Viola learns of Gracewood's distress, she and her sister-in-law, the Lady Marleigh, decide to intervene. Viola knows she's playing with fire—how long can she hide her very-much-alive presence from her oldest friend?—but the choice is a done deal. She is going to help Gracewood no matter the cost.
But Viola's new ability to explore life as her true womanly self has opened up yet another wrinkle when it comes to Gracewood: she can no longer ignore the fact that her feelings for him are considerably more than friendly.
Will these two old friends see past themselves and achieve an ideal form of happiness?
Quaint, happy, and filled with heart, A Lady for a Duke is a shining example of a new type of inclusive historical romance.
Let's start this reaction off with some honesty: I am very conflicted about my star rating of this review.
On the one hand, I want to support this title and showcase how happy I am to see it exist, see it hold such a positive and happy storyline, and see it receive a wide readership. Squeals all around, this was adorable and wonderful and I felt all of the feelings.
On the other hand, I have to discuss the significant flaws in this novel's pacing, plot construction, and overall sense of boringness due to its drawn out pacing and lackluster scenes.
This novel is almost 500 pages long... and it feels like it. Cute scenes of emotional honesty between Viola and Justin were awesome and I loved them, but after the 200 page mark it became painfully obvious that we as readers were going to basically experience the same variant of the same type of emotional scene over and over again. Viola and Justin have barely any drama—which was good for the health of their relationship—but it did lead to a lack of opportunity for newness in their dialogue and interactions. Justin reassures Viola about X, Viola reassures Justin about Y....wash and repeat. So many of their scenes could have been remixed into any spot in the plot and been completely fine, that's how identical in tone and importance they were.
The only spot of freshness in this story did not come from the main characters at all—it came from the side characters, Lady Marleigh (sister-in-law to Viola) and Lady Gracewood (Justin's younger sister). They were doing fresh things in this story, thank goodness, and Justin and Viola got to semi-react to those events throughout the novel. But that did make for awkward reading in a romance subniche that tends to rely on its main characters to provide the agency in a story.
Definitely a conflict, and frankly a good one to have as again, the fact that this book is here at all on the bookshelves in the store is a wonderful thing. I'm glad this book exists and that I can quibble over its issues—but as a reviewer I do still need to highlight them.
Eagerly looking forward to more fresh stories in the historical romance canon to join this one on the shelves.
Amy Imogene Reads
Just someone looking for her own door into Wonderland.