Goblins, the underworld, and a lot of mythology references... I wish I'd loved this more.
World: ★★★ 1/2
Goblin King is the second book in the Permafrost duology. If you haven't read the first book, White Stag, please avoid this review as there are SPOILERS for the first book in the series. (You can read my review of White Stag here.)
The newbies gone? Good. Let's talk about this one.
So, first off, let me preface this by saying that it's been quite a while since I've read White Stag. Because of that—and how I felt while reading this sequel—I'm sadly coming to the conclusion that this series and my reading tastes have probably split up. Permanently. I'm not sure if it was the plot itself, the writing style, or the pacing but something about Goblin King really didn't work for me.
For those reasons alone, please take this review with several grains of salt. I'd encourage other readers to still pick up this book if it sounds of interest!
In this sequel, we're following Janneke and Soren as they try to come to terms with the new world order in the Permafrost following the explosive ending of White Stag.
Janneke merged her life force with the mythical heart of the land, the stag, in order to save the Permafrost realm and become one with her goblin beau, Soren. He became the Erlking—goblin king—and she his magical stag counterpart.
But all is not perfect in the goblin realm. Janneke is seeing and hearing the specter of her dead past abuser, Lydian, and he's taunting her with some bad news—he says that Janneke is going to bring about the end of the world.
Turns out, he's not wrong.
Now faced with a world ending prophecy of EPIC proportions, Janneke and Soren must lean on each other, venture to the underworld, and figure out how to fix what's already set in motion....before it's too late.
Now I don't know if I was an ignorant newb when I read White Stag, but this sequel was essentially a retelling of Ragnarok—and I DON'T remember this series relying so heavily on Norse mythology. Yes, you heard me correctly: the Norse myth. We had Hel, Frigga, the world-ending serpent, and a lot of references to the nine realms and Yggdrasil.
Because of that, the plot felt quite tired to me from the get-go. It's hard to get excited about a plot when you know the main players and the steps of the game... and when it seems like a total hit out of left field in the first place. Again, I wasn't expecting that element to be so tied to existing myths so that's either on me (for forgetting the first book so much) or on the book (for executing a complete 180 flip in priorities).
In addition to a plot that felt well-traveled, I also had quite a few personal issues with the way the pacing unfolded. We had a lot talking, rehashing, and limited action sequences as Janneke explained, then explained again, and then explained AGAIN to various characters and herself what had occurred in the novel so far. This was tiring. I wanted more developed plot, less debriefing after each new action, and less internal rehashing of old concepts.
Overall, not for me... but maybe a treat for a newer YA fantasy reader or someone very interested in Norse myths.
Thank you to the publisher via NetGalley for my copy in exchange for an honest review.
This was SO GOOD. Witches, retellings, space thieves, the weighing of hearts, Schwab returns to the world of A Darker Shade of Magic, and Libba Bray returns to the world of Gemma Doyle... What. A. Showstopper.
A Universe of Wishes comes out on January 5, 2021!
As this is an anthology, I've reviewed each story individually and given a one sentence sales pitch of sorts below. Quick take, my favorites were: The Weight by Dhonielle Clayton, A Royal Affair by V.E. Schwab, Unmoor by Mark Oshiro, Liberia by Kwame Mbalia, and The Scarlet Woman by Libba Bray.
Tara Sim - A Universe of Wishes (3.5 stars)
Thorn harvests wishes from the dead and gets caught red-handed by the morgue boy—what now?
Natalie C. Parker - The Silk Blade (4 stars)
Lushly described, beautifully colored—a bisexual female warrior competes to win the heart of the Bloom prince and may or may not fall for her beautiful rival instead.
Libba Bray - The Scarlet Woman(5 stars)
Gemma Doyle has been in New York for a while now, but the world's magical community isn't done with her yet and someone's determined to reel her back in with grisly gifts.
Anna-Marie Mclemore - Cristal y Cerisa (3.5 stars)
A transgender prince, a Mexican girl attends a ball with a pair of fated glass slippers and a desperate plea for her people.
Kwame Mbalia - Liberia (4.5 stars)
Kweke is the primary research officer on the spacecraft Liberia growing plants with ancestral ties to the crew's abandoned homeland, deep roots.
V.E. Schwab - A Royal Affair (5 stars)
Sure to be a fan-favorite for series readers, this behind-the-scenes take on Alucard's origin romance with Prince Rhy was such a treat.
Rebecca Roanhorse - The Takeback Tango (4 stars)
An intergalactic thief is on a mission to steal back her people's treasures from the republic... and she might not be the only one with a conquered people to avenge.
Nic Stone - Dream and Dare (2.5 stars)
Dream escapes her family's expectations to help a monster in the woods. (This story did not resonate with me, so apologies for the bland description.)
Jenni Balch - Wish (3 stars)
A "granter" in a LAMP device is summoned to a set of very bizarre circumstances: a spaceship, a girl, and a dream for space travel.
Dhonielle Clayton - The Weight (5 stars)
A deep cut, damn. Marcus and Grace know they love each other, and they're going to get their hearts weighed to prove it... that's good, right?
Mark Oshiro - Unmoor (5 stars)
Urban fantasy, Felix wants to "unmoor" his painful memories of his lost love, Arturo—no matter the cost.
Samira Ahmed - The Coldest Spot in the Universe (unrated)
No sentence pitch for this one... I'll be honest, I could NOT get into this one and therefore did not complete it. Told in diary entries, some sort of apocalyptic natural disaster mixed with the dead? Confused.
Tessa Gratton - The Beginning of Monsters (3 stars)
High fantasy in miniature—Crystal-taloned Elir designs a new body for King Insarra, who is tired of their female one. Add in one snarky heir and some political intrigue and you get...
Zoraida Cordova - Longer Than the Threads of Time (4 stars)
A truly sensational Rapunzel retelling. There's a Tower in Central Park and every magic user knows those inside are deserving of their prison sentence—too bad one young brujo is curious enough to get close enough to find out the truth.
Onyebuchi - Habibi (3.5 stars)
Told in diary entries, an American Black prisoner and a Middle Eastern protestor behind bars strike up a magical and unworldly pen pal situation with heart-wrenching and emotional results.
Thank you to Random House Children's for my copy in exchange for an honest review.
Hot demon princes, tattoo magic, underworlds, witches in Italy, and a high stakes murder mystery. Need I say more?
Characters: Besides the main character being more dumb than fully believable? ★★★★
Pacing: ★★★ 1/2
Kingdom of the Wicked comes out on October 27, 2020!
Emilia di Carlo grew up with her twin, Vittoria, on tales of witches and demons. Their grandmother raised them to learn about their witch bloodline and magical abilities and taught them to fear the devil and his seven Wicked princes—because there's nothing more dangerous to a witch and her kind than a demon. And there are no demons more powerful and deadly than the Wicked.
Emilia takes—what she thinks as metaphorical—cautions to heart, and she thinks her twin does too.
But then Vittoria is found brutally murdered. Turns out there have been a string of young female witch killings throughout Italy, and Vittoria is the latest victim. As Emilia reels from the loss of her other half, she starts to realize that maybe Vittoria didn't take their grandmother's warnings as seriously as she did—and maybe those "stories" of the Wicked demon princes have more than a grain of truth in them.
With vengeance and blind need for justice in her heart, Emilia decides to follow in the steps of her sister and deal with the devil in order to find out the truth.
But Emilia has never summoned a demon before. To put it bluntly, her summoning doesn't go exactly as planned. Instead of a random, everyday demon from Hell...Emilia finds herself face to face with her nightmares: it's one of the Wicked demons himself, Wrath. In all his gold-and-smoke tattooed glory.
And she may or may not have bound them together more permanently than she intended. Wrath is, to say the least, pissed.
Now bound together, Emilia and Wrath are about to discover the truth behind Vittoria's murder and get WAY more than either of them bargained for.
It's time to wreak havoc on the Kingdom of the Wicked.
So, first off, WOW. As someone who's read and enjoyed this author's first (completely unrelated) series, I thought this book showed a massive leap in writing maturity and plot complexity. Don't get me wrong, I loved the Stalking Jack the Ripper series for its drama, medical stuff, and fun—but Kingdom of the Wicked is something else. It's clear that Maniscalco is honing her craft and exploring new storytelling in this, and I LIKE it.
The strengths: worldbuilding, concepts, push-pull relationship between Wrath and Emilia, unique magic system and take on the "underworld" trope, and the larger plot hinted at for future books to come.
The weaknesses: There's really only one major flaw from my perspective, and that's Emilia herself. This book fell into the trap of making the main character too dumb to be believed for the first half of the book in order to allow for the plot unfold in a very particular series of events—and it's too on the nose. Emilia makes extremely illogical, dumb, and borderline childish decisions for the sake of plot development, and that stung a bit to me as a reader. With such a beautiful concept, world, and plot, why did we need Emilia to stumble about like a bull in a china shop? She does get much better in the second half—so that makes me think this issue will be fixed in the second book—but still.
Overall, amazing book and one of my all-time favorites of the year. Definitely check this one out!
Thank you to the publisher and NetGalley for an ARC of this title in exchange for an honest review.
"I wish my love was more beautiful."
Just take my heart, rip it out, grind it into shards of ice, and burn it. This sequel was spectacular but I CANNOT FORGIVE IT for doing what it did. What a beautiful, terrible, heartrending piece of fiction. Everyone should read it.
Character development: ★★★★ 1/2
This book is a sequel, and so my review will have SPOILERS for the first book in the series. Please don't read if you don't want SPOILERS for The Gilded Wolves. You can read my review of The Gilded Wolves here.
...Are they gone? Good!
Alright, so let's just dive right in. First off, how dare she—the author has done us dirty, folks. Roshani Chokshi has written such a beautiful world with wonderful characters, and she keeps hurting them! And now we have to wait a whole year for the next book. Brutal.
The Silvered Serpents picks up shortly after the events of The Gilded Wolves. The team is fractured beyond repair following the surprise death of Tristan, one of their own, and all of them are (not) coping.
Severin has decided that the best way to not fail his friends again is by... failing them every day with a numb, cold caricature of himself. Laila is quickly approaching her birthday and knows that her days are numbered—she needs to find the book that can keep her alive. Zofia, Enrique, and Hypnos are caught in Severin and Laila's crossfire and it's not looking pretty—and they all have dramas of their own.
And then the group gets a lead on the Fallen House's Sleeping Palace, which seems to hold the answer to all of their problems. It has The Divine Lyrics, the book Laila desperately needs. Severin is also newly interested in the book, but for different (darker) reasons. And the rest of the team just hopes that this quest will lead to a happy ending.
But the night gets darkest before the dawn...
Filled with heists, drama, intrigue, stunningly lush descriptions, and shocking betrayals—this sequel has it ALL. I could not believe the amount of character development and plot development that Chokshi was able to cram into this novel. It doesn't even feel forced—it's that well written.
Like in The Gilded Wolves, this series' focus on the grim underbelly of colonialism and Western "might is right" politics was a cutting commentary, and that increases with this novel too. I love the diverse backgrounds of the crew and how their backstories unfolded to reveal more secrets and some interesting tie-ins to the discussion of race, class, and politics.
My favorite aspects of this series continue to be its world building, the setting descriptions, and the nuanced relationships between all of the characters. (And the angsty romances? SO WELL DONE.) Each of the POVs adds an extra layer of secrets, intrigue, and motives... and in this installment in particular, it was fascinating to see the pieces of the pie assemble into the final conclusion.
Which, without giving away any spoilers..... that conclusion gutted me. And was extremely surprising. If you thought the ending of The Gilded Wolves was big, strap in. This one is bigger.
I can't wait to see what Chokshi brings us next.
Thank you so much to St. Martin's Press via NetGalley for an ARC of this title in exchange for an honest review.
Filled with whimsy, adult-worthy dialogue, and the magic at the heart of the best types of middle grade. Fantastic book.
Concepts/World building: ★★★★★
The Trials of Morrigan Crow is one of those extremely rare middle grade novels: it's just as fun for us adults, too.
I think it's the MOST fun for those of us who grew up with Harry Potter, because this has something similar going for it. It's new, it's exciting, and the plot is too good to put down. I loved every aspect of this book, except for the fact that it ended. (Good thing it's a series.)
Morrigan Crow was born cursed. Because she's "cursed," everything that ever happens in her small town is blamed on her—from someone's pimple to a death to a surprise hail storm—and she's been told that she's going to die on her 11th birthday. Yep. Her life is...not the best.
But at the stroke of midnight on her 11th birthday, a strange man appears and says that Morrigan has a choice: run with him now, fast, and escape her fate. He says there's more out there, and Morrigan believes him because...well, anything is better than dying, right?
Just a hop, skip, and jump into another dimension and whole new world... Nevermoor.
So from my 5 stars, you should be able to tell that I loved this. I don't have negative thoughts, or "meh" thoughts. Just good ones. It's rare for me to read something and not have at least one thing to critique, or wish was more "my" taste, but this one did it. I loved it all.
If you like any of the following, pick this up immediately: portal fantasy, girl protagonists, magical hotels, endless rooms of whimsy, shadows, umbrellas, competitions, boarding schools, magical schools, colorful settings, cats, friendship plots, morbid humor, adventure, chosen one trope.
Knocked my socks off. Argentinian lore, werewolves and witches, football (soccer), concepts of gender roles, identity, belonging, Other, and the plight of the undocumented.... this was wonderful.
First 50 pages: ★★
Manu is an undocumented Argentinian immigrant living in secret in Miami with her mother. Manu's life is a double-edged sword of secrets—on the one hand, Manu and her mother are in the USA and in hiding from the government, and on the other hand, Manu is also forced into hiding by her own mother because of her unique eyes and an unknown threat from Argentina—the real reason they're living off the government grid.
Manu has golden, luminous eyes with a starburst pattern of silver in the center.
Manu's eyes have made her life a living cage. Her mother won't let her go anywhere, she can't make friends, and everywhere she goes it has to be daylight so that she can wear her mirrored sunglasses. Manu's father had dangerous friends, her mother always said, and they've never stopped looking for Manu and her mother. With her father's eyes, Manu has no choice.
Then Manu's mother is captured by the ICE, America's immigration unit. In the rush of capture, her mother screams at her to flee, to stay in hiding.
Running away from the city on the back of a mysterious pick up truck, she takes an unexpected trip into the wilds of the Everglades and happens upon something she literally can't believe: there's a secret community in a magical mangrove forest, and ALL of the people in it have Manu's luminous eyes.
What's a girl to do, but join them? Manu has no idea what she's in for. (Hint: werewolves and witches and other dimensions, oh MY!)
AMAZING. I think it's safe to say that this is one of my favorite YA fantasy reads of 2020. This was fresh—and filled with so many unique spins on fantasy tropes that I was shooketh. I loved learning more about Argentinan and Latin American culture, especially as it related to their myths, and I LOVED where the author's imagination took us. (We always need more alternate dimensions in our fantasy.)
Now, to address a mild elephant in the room: some other reviews of this book mention that it's filled with traditional YA tropes and is predictable. I'd like to (politely) disagree, and here's why:
-This is an Argentinian/Latinx/immigrant narrative. Our diverse stories did NOT get a chance to get in on the YA action at the start of the genre in the 2000s and 2010s—so for many of our diverse reads, they're playing with some of these tropes for the first time, and they're writing them for an audience that never saw themselves in Harry Potter, Kiss of Deception, Hunger Games, etc etc etc. YES this story has the magical school trope. So what? I still found enough unique identifiers to set it apart from the rest. YES this story has similar plot devices to other YA fantasies. So what? (No shade, just honest questions. I think our community is sometimes quite hard on YA fantasies.)
-Yes, there's a love interest identified quite early on in the story. So what? While the initial interaction might seem to be instalove or trope-filled, the author immediately back pedals and allows the story to take over. Again, I thought this was well done and deviated enough from the tropes to be relevant.
I could go on, but those are two of the main points. In short, I thought this story was beautiful, extremely relevant to modern American and Latin American concerns (immigration, ICE, etc.), and a fantastic series opener with a great take on werewolves, or the Argentinian lobizones. Also, the quoteable portions of this book - gah. So great.
Thank you so much to Wednesday Books for an ARC of this title in exchange for an honest review.
I was primed to love this because I love creepy woods, magic, goblins, and fairy tales... but this still surprised me anyway.
Changeling was such a fun middle grade read. Obviously I'm not the target audience, but this story entranced me and stuck out regardless. Good writing is good writing.
We all know the changeling story: in the dead of the night, a magical creature steals your baby and replaces it with an identical copy—the changeling. You then raise the being as your own. You never see your own human baby again.
But what if the goblin in charge of the switch messed up?
Kull the goblin stole his goblin horde's last changeling and is determined to do it himself. Golbin magic is fading, and Kull knows he must perform the historic ritual of stealing a human baby to set magic's balance in order again.
But as Kull places the changeling in the crib, the human baby's mother wakes up and interrupts him, forcing Kull to leave BOTH babies behind. Uh oh.
Tinn and Cole grow up as twins, knowing that one of them isn't the "real" boy. It doesn't bother them much. Annie Burton, their mother, is amazing--a boy is a boy, and she loves both of her troublesome boys equally. So what if she only gave birth to one? Now she has two.
But Kull hasn't forgotten. He spends 12 years watching, waiting, and trying to figure out which of the boys is his boy, the goblin. And he's running out of time... when the changeling turns 13 years old, he NEEDS to be back home in the magical world or he'll be in a lot of trouble—deadly trouble.
But how is a goblin to convince two wayward boys to come to the goblin horde?
It's time to draw them into the Wild Wood. With a map, they'll make it through just fine. The woods are only dangerous if you don't know where you're going. But these are two 12 year old boys...
...and they've just lost the map.
Wow. I loved this. My favorite aspect was easily Annie Burton, the boys' mother. The author's description of her determined to find her wayward boys is surprisingly both heartfelt and hilarious. This is not fairy tale where the mother finds the note that her children are missing and spends it wailing - she's their mother, darn it, and she's going to find them and bring them home. The theme of resilient motherhood is extremely strong in this novel.
I also LOVED the humor. Like the best of the middle grade genre, this novel has humor for both kids and parents alike - the adult asides are funny for adults, and yet the jokes and antics are funny for the kids too. It's a delicate balance to strike, but the author does this really well as I spent a lot of time laughing.
Overall, a fantastic read. Looking forward to the next installment!
Thank you to Algonquin Young Readers for a copy of this title in exchange for an honest review.
So this is apparently an odd opinion... but this really, really worked for me. (I think half of that reasoning is because of the teeth.)
Twist on YA tropes: ★★★★★
Surprise factor: ★★★★
A mini rant: It's times like these where I really, really wish Six of Crows wasn't such a YA titan that is universally—and sometimes violently—loved. I don't mean ANY disrespect for fans of the duology as I am a fan myself, but I think that The Merciful Crow was prematurely dismissed by some in the YA community for its title, and the mere fact that it had to do with a caste of people called "Crows." Which is nuts, as this book was not even the same thing, at all.
Fie is a Crow, a chief-in-training, and she travels with other Crows from town to town. They are the lepers, the bottom caste, the forced nomads, the ones that everyone else can use and abuse. But the Crows have one thing that the other bird castes of the land do not—they are the only ones who are immune from the Plague. When someone gets the plague, the smoke is lit, and the Crows come calling.
They take care of the sick and dying and they honor the dead. The land may mock them, hurt them, and execute them, but when the people become ill it is the Crows to whom they beg. And the Crows always come, and they always show mercy.
The world of The Merciful Crow is divided into several bird castes. This is not a shape shifting novel—there are no actual birds involved. But each caste of bird is a different social class, and each caste has their own Birthright magic, which displays in some of their castes' witches. It's an intriguing finesse of some standard fantasy decisions, and if that was the only twist on this story's magic, I would have been disappointed. But it wasn't—there are also the teeth.
Fie and the other Crow chiefs have a special way with teeth and bones. But specifically, teeth. When Fie touches a tooth, she knows the life of its owner and can call on the innate Birthright magic of the tooth for her own use. So, in essence, if Fie is holding the right tooth.... she can use any of the realm's powers at her disposal. The Crows are ignored by everyone else, so this power goes relatively unnoticed by the other castes...at their own peril. [Example: The Sparrow caste witches are able to direct or deflect attention, so if Fie is hiding from someone all she needs is to wake up the magic of a Sparrow tooth to hide herself from view.]
Fie's life changes forever when one day, her chief decides to save the royal Phoenix son of the crown. The prince and his bodyguard are on the run from the prince's stepmother, the Queen, who's out to kill him and take the throne for her own. The Crows are trapped—if they don't help the prince, then the Queen will punish and kill the Crows for their involvement. If they help the prince, then its up to the Crows to avoid the punishment of the Queen while also trying to get the prince to his allies... and once they've finished their usefulness, they are forced back to their life of abuse and uncertainty. It's a lose-lose situation for the Crows, and they know it.
But Fie refuses to accept the terms, and she draws an oath from the prince: if the Crows do this, they deserve a seat at the table. They want to protected and respected. No more murders, no more abuse. To her surprise, the prince and his bodyguard agree.
Now they just need to get him to safety.
Things I loved:
The focus on the plague. I'm a morbid historian at heart, and this focus was great—it has its roots in the Black Death's plague doctors (complete with their masks, etc.) but there are also other elements in there too. I also loved (wrong word choice given the negative connotations...) the parallels between what happens to the Crows on the road with the dark American history of the KKK raids in the South—the parallels are intentional, and well done. Also, THE TEETH. Great magical element, thoroughly enjoyed its integration and how it was used consistently throughout the novel. Really nice, really unique, made it memorable.
Things I didn't love:
How short this was. I would have gladly read a novel twice this length.
Considering the fact that I hated the beginning of this, no one is more shocked than me that this is a damn good book.
First 100 pages: ★
Character development: ★★★★★
This is the second book in a series, so if you don't want to be spoiled for Wicked Saints, please check out that book first! (My review of it here.)
Wicked Saints was a surprisingly polarizing read in 2019, and I think Ruthless Gods will be similar—if not for the same reasons. Ruthless Gods, in my opinion, is LEAGUES better than the first novel, but only if you can pass through the first 100 pages of extremely vague writing, frustrating lack of explanation, and several wham-bam 180 degree flips that completely switch many things up.
THIS REVIEW WILL, OUT OF NECESSITY, SPOIL WICKED SAINTS.
I'M SERIOUS, PLEASE STOP IF YOU DON'T WANT TO BE SPOILED.
Nadya, Malachiasz, and Serefin are all having a bad time at the beginning of this book as the end of Wicked Saints left us with a LOT to unpack. Nadya's gods have left her and she's broken many of her homeland's laws to save the enemy. Malachiasz's last-minute betrayals left him with the powers of a god, but no way to keep his sanity and control them. Serefin was literally murdered and brought back to life, and now a god is whispering bad things in his ear.
Oh, and the gods we thought were scary in the first novel aren't even the ones we need to worry about.
Now, like I said above, the first 100 pages of this novel were ROUGH. We're talking, I was so frustrated I thought someone else had wrote this, rough. Considering it takes places very close to the ending of Wicked Saints, I was surprised to find the first bit of this book lagged. It seemed like an odd form of a holding pattern, as not much happened and yet lots was happening, and we were still primarily doing odd character-building scenes that also altered previous facts. I think all of the alterations were positive and made the plot stronger...but wish that they had been either included in the first book or brought to us later, because I was making audible frustrated gripes when the witch, Poletga (spelling is butchered, sorry) gave us these vague nothings over and over with each of our characters.
But, as you can see from my 5 star rating, this was a damn good book. I loved that it kept me on my toes, and the additions to the plot were exciting and made the story more original than I gave it credit for in Wicked Saints. In particular, I hope we see more of the Akolan politics in the third book, as it did give this fantasy world a fresh burst of diversity. AND I hope we continue to keep up the pace with this incredibly dark, mythic approach to old gods that really cemented itself in this installment.
It's unflinchingly bloody, twisted, darkly sensual, unrepentant, and surprising. I loved it.
Thank you to Wednesday Books via NetGalley for an ARC of this title in exchange for an honest review.
This review is going to be such a bummer, because I was so freaking pumped for this and love this author's previous books.
This is a reaction review. Given my conflicting and confused thoughts on this novel, I highly recommend checking out the official listings for a more concise summary. Normally I do those myself for these reviews, but I don't think I could do it justice here given my confusion.
Teeth in the Mist was a book that I was very excited to read. We've got 3 different timelines of women all tied to this ancient mill house in the remote UK (England? Scotland? Unclear.) There's a demonic angle, and in amazing Kurtagich style there were a bunch of documents and stylistic text choices throughout.
For example, the modern girl's narrative takes place almost exclusively through journal entries and camera transcripts. The 1800s timeline takes place in traditional 3rd person narration, and the oldest timeline takes place as very small diary entries.
But this was a mess for me.
For the first third, I was completely, utterly, 100% confused. And that was okay! I kept going, because I trusted that the story would become more clear as we went on.
It did, and it didn't.
Aside from complete confusion for the entire reading experience—and not the good kind, the frustrating "why are you giving me nothing" kind—I was also continually frustrated with the way that these three timelines were portrayed, and the lack of world building and character development used in each of them. This was a HUGE case of telling, not showing, and what we were told varied by the minute and was almost useless in most cases.
I just can't emphasize enough how much this book relied on telling, not showing. In particular, there is one element of the story that is obvious from the start (which wasn't a problem!) and then in the context of plot progression that trope completely goes off the rails. Please see my Goodreads review to view that spoiler.
On top of the spoiler above, it was just... why? The entire time I was reading the second half of this book—when it became clear where we were going with the three plot lines—I kept thinking, there must be more. Otherwise, why? Where is the payoff? Where is the satisfying "Ah, this is why I slogged through this" ending? It just... didn't satisfy. And it wasn't necessary to have three timelines, so I was frustrated by that element as well.
As you can tell, I'm pretty heated on the topic. Please take my opinions as their own, and not a reflection on anyone else's reading experience. This was a 400 page book of ?!?!?!, and it ended that way. But I still love this author, and I stand by Dead House, her previous book. Looking forward to the next one.
Amy Imogene Reads
Just someone looking for her own door into Wonderland.