Come for the concept, stay for the drama. This was a near-perfect blend of Gossip Girl, modern day royalty, and drama.
Drama: ★★★★ 1/2
What would have happened if George Washington had accepted the offer to become America's king? As our history books state, he said no, and the Presidency was created.
But what if...
American Royals follows the modern-day lives of America's royal family—the House of Washington. A perfect mishmash of British royalty with a distinctly American twist, American Royals was SO MUCH FUN.
Beatrice Washington is the first born, and the first woman chosen as next in line for the throne. An 18-year-old with her life planned out down to the man she's supposed to marry, she secretly dreams of being allowed the freedom of choice in the land of the free. But what's a princess to do when the whole world is watching?
Samantha Washington is one part of two—her twin brother, Jefferson Washington, is America's heartthrob—and Sam's the mess up. Known as the spare, Sam realizes that the only way to carve her mark into history is to be the loudest, the worst, the most—anything and everything that Beatrice isn't. What's a spare to do when all she wants is to make an impact?
Nina Gonzalez is Sam's best friend and the daughter of the royal court's Chamberlain. She's grown up in the halls of the palace all her life, and Sam and Jeff are her closest friends. It's not her intention to fall in love with the prince, but when one night crosses the line, will she take the plunge and risk the wrath of the American people to be with her knight in shining armor?
Daphne Deighton was born to be a princess. Scraping her way to the top with a smile on her face and steel in her eyes, she was Jeff's perfect porcelain girlfriend until it all came crashing down and Nina stole his heart. What's a girl to do but take things into her own hands?
Following the POVs of these four women entangled in the palace, American Royals was something else. I couldn't get enough of the clever world-building, the hate-to-love-it cliched drama, and the scheming. Nina's window as a Hispanic woman attempting to following her own path was my favorite part of this story, seconded by Beatrice's stoic exterior/mad mess interior dynamic.
This series is going to make a splash, and I can't WAIT for the next book.
Thank you very much to Penguin Random House for an ARC of this title in exchange for an honest review.
These Witches Don't Burn? More like these witches don't bore! (Couldn't resist.)
I absolutely loved reading These Witches Don't Burn. Fun, filled with memorable characters, extreme relationship drama, and so well paced it's basically ready for its movie adaptation, this book is a great LGBT+ contemporary read.
Everyone knows the history of Salem, Massachusetts. People went mad and claimed girls were witches, and they killed them. As many other novels have explored—what if the witches were real? These Witches Don't Burn covers the same ground relating to Salem, but it does it with a surprising sense of diversity, humor, and heart.
Hannah is an Elemental witch in her junior year of high school. She's training to be a full witch in her coven, she's attempting to balance her home life with school, and she's dealing with her persistent ex. Adding some fire to the flames, Hannah's ex is one of the witches in Hannah's coven, and she's everywhere Hannah is. Awkward.
The main drama for These Witches Don't Burn lies in the relationship dynamics between Hannah, her ex Veronica, Hannah's friend Gemma, and the new girl in town, Morgan. There is an action-based pseudo-mystery plot going on in the background as the witches discover that a Witch Hunter is in town—attempting to murder them in the style of the 1600s Salem witch trials—and Hannah finds herself in the middle of the drama, but for me the main narrative lay in the relationships.
To be honest, that's why I enjoyed it so much.
These Witches Don't Burn is feminist, fun, and filled with the kind of relationship drama that everyone can relate to. I loved it. My only caveat to the story was that it fell into some of the anti-men tropes that these novels often have. The men in this novel were either suspicious, problematic, dead, or part of the mystery in a nefarious way. I can't get into the spoilers, but once you've reached the finale you'll see what I mean. I wish there had been a few positive male characters in the story not because we need positive male roles in every story, but because it seemed like an intentional oversight and felt like an over correction in the name of female empowerment.