The Guinevere Deception is a story about women's agency and their role in myth—and cleverly ties together known aspects of the Arthurian legends with some much needed LGBT+ and modern sensibilities.
Pacing: ★★ 1/2
I'm so mad at this book because it does not put its best foot forward. The Guinevere Deception starts out so simplistic, so run-of-the-mill, that it's boring. Boring boring. Skim-worthy, even.
But then, we cross the hump. The second half of this book is gorgeous. It's lyrical, it's feminist, it's evocative of the Kiersten White that I remember from my long-ago read of And I Darken—where women had their own agency and commentary--that I put down my kindle and went what? Is this the same story?
The Guinevere Deception follows "Guinevere," the wife of the newly made King Arthur. Arthur has won Camelot, and now he rules in a realm where magic is pushed to the edges of his borders and everything is free from chaos and everything is wholesome and good. (Ha. Obviously, this is a disaster waiting to happen.) Enter Guinevere, except we, as the reader, know the Guinevere is not really the princess at all, but the daughter of Merlin, sent to be the last line of defense for King Arthur—she is supposed to keep the king safe from magic...by using the forbidden magic herself.
Such a good plan. No holes at all. (Right.)
Guinevere enters into the world of Camelot and starts exploring the city and its people in the most mundane ways possible. The dialogue is meh, the chapters go slowly, and I caught myself jumping ahead several times because we were so clearly treading water, waiting for something to happen.
Then, some things happen.
I won't spoil anything in the plot because I think most of the enjoyment comes from being surprised, but The Guinevere Deception has some significant tricks. Guinevere isn't as milk toast as she seems, Arthur isn't that stupid, Lancelot appears in THE MOST EPIC TWIST as a different take on the character, women support women, some LGBT+ rep enters as breath of fresh air in this traditional hetero tale, and I just really enjoyed the turn of events.
The entire time I was reading The Guinevere Deception, I kept saying to myself: man, I miss Kiersten White when she gets dark. Maybe this is too light for me, and I'll stick with her darker content. But I can see the hints of darkness in the set up for book two, and call me intrigued—I think White has more things up her sleeve.
Definitely pick this one up if you're a fan of legends, myths, retelling, feminism, LGBT+, and good old fashioned plot twist surprises. I think this one is worth enjoying if you can get over its own problematically dull beginnings.
Thank you to Delacorte Press for an ARC of this title in exchange for an honest review.
Amy Imogene Reads
Just someone looking for her own door into Wonderland.