 2 stars
What the actual heck was this. I liked it enough to finish reading it—hence the 2 stars and not a 1 star rating—but it was lowkey a mess. The Courting of Bristol Yeats is a hotly anticipated romantic fantasy release that received a TON of hype this year. It has it all right there in the pitch: a beloved YA author writes an adult romantic portal fantasy involving hot fae, intriguing portal door magic, and an approachable female main character. That flytrap of a pitch caught me, and caught me GOOD. I eat those kinds of stories UP. It's been several weeks since I've read this novel, so let's ignore the stereotypical "here's what this book is about" portion of the review because listen, the blurb is right there in the book's description and the details are already fuzzing for me so we're better off getting right to the point. I have no gentle way of saying this, so pardon my bluntness but... Was this novel edited or peer reviewed? Was it written on such a tight deadline that it didn't receive a logic pass? I know, super harsh. But I'm sorry... this book honestly made such little sense that I questioned whether I was even reading the novel properly or not, or if it was a me problem. (Let's be honest, call me out if it's a me problem.) It started out very strong. I liked Bristol, I enjoyed the story setup, and the logic flow from chapter to chapter made sense and felt like the dozens of novels in its type that I've read and loved before. But then, we got into the main plot arc. Without going into explicit spoilers, I can't really footnote these opinions properly, but in summary here's what kind of issues I had with this novel: 1. The "action" of this story happened almost exclusively off-page. As in, there WAS exciting, action-driven content happening in this world. But it seemed to happen in-between our chapters? And was almost always recapped via description and dialogue after the fact. 2. Because the majority of the action was off-page, this meant that 80% of this novel felt like filler / montage content that seemed to go nowhere and exist purely for the vibes. Bristol feeling things, Tyghan (the fae king love interest) feeling things, people talking about things, etc. It was a frustrating edging experience where I WANTED us to DO things and instead we lived in the micro-scenes of minutiae in between content. 3. The timeline of this novel... was not fact-checked. I'm not a detailed reader, this kind of thing usually doesn't even make my radar. But Bristol enters the faerie world and is essentially given a 3-month timeline, and that timeline is VERY important to the plot. But then we get recap moments that explain "days are passing" over and over and over again and the math... doesn't math. There aren't that many weeks inside of 3 months, no matter how you slice it (and there's no time-y stuff happening, this is a linear timeline). Some of the chapters illuminate that WEEKS are passing off page, and on the page it's many days passing... so much time flowing by without us actually experiencing much more than dialogue and internal musings, and again, it's all supposedly within a 3-month window? I'm calling B.S., it was so distracting that I found myself irritatedly tallying timelines while reading. 4. The love story had some logic-based issues. Mainly, that it was trying for a slow burn... and it was succeeding... but then a moment happens and WHAM BAM!!! All the sudden our well-done romantasy slow burn novel turned into the epitome of instalove and it honestly ruined the characterizations of both main characters in different ways. I truly, truly can't express how dramatic that shift was—and how QUICK it happened—on the page. Follow that shift with a kind of squicky/Oedipal flashback sequence right after it and it truly gave this novel a "Before the Incident" and "After the Incident" energy that I did not appreciate at all. 5. And then, beyond all of this, we also had more than 8 different POVs throughout this 500 page novel, but their inclusions to the story didn't enhance the narrative at all—it just muddied the already muddy waters. 80% of this novel was a relatively even split-POV between the two leads, Bristol and Tyghan. But then we continued to have these interjections of POVs that all felt like the same voice, but were dramatically different people, and all of them gave us more plot details that were told to us, not shown to us, in increasingly irritating ways that seemed like narrative cop-outs to action scenes that should have occurred with Bristol herself. 6. My last and final quibble, in this rant review to end all rant reviews, is the fact that ending of this fantasy novel is literally insane. The last 10% worked like many novels in this romantasy category. So many reveals! So many twists! Much drama! Angst! The need for an Intense Romantic Climax! And all that was fine, it was actually kind of interesting for me, which was a new feeling after 300 pages of confusing irritation. But then...the last 3 pages? Was actually unhinged and so out-of-pocket for both this novel's scenario AND for honestly any novel, ever. I can truly say that's not something I've ever considered to be "cliffhanger appropriate". I closed the novel and immediately said "wtf" over and over again, so take of that what you will. (Nothing against the WHAT of what happened, but the WHY and WHEN was insane.) Anyways, if you made it this far, we're besties now because this is essentially a transcript of the phone call rant I made to my friends after finishing this. My recommendation is: try other novels instead unless you're really, REALLY interested in this story/author and the above issues don't bother you.
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 3.5 stars
I love visiting Kristen Ashley Land. It's a special place where the people have heart, good times are had, romance is king, and drama fuels the fun. This second romp in the Avenging Angels universe was no exception! Please stop HERE if you have not read the first book in the series, Avenging Angel. This series of interconnected standalones is best read in order. My review of Avenging Angels here. Back in the Saddle is the second story in this spinoff series from Kristen Ashley's popular Rock Chick books—which are some of my favorite romance books EVER, I highly recommend them if you're into highly dramatic, very over-the-top stories. This series takes place in Phoenix, and the main narrative hook is a Charlie's Angels concept of younger women in their thirties who right the world's wrongs while having a good time and falling in love with hot men. What's not to like?? Truly, the vibes of this series are fantastic. As someone who rereads at least two Rock Chick books every single year, my expectations for this second-generation spin-off series were through the roof. And they delivered! Avenging Angels was the romance of Raye and Cap, and it was precious. Drama, hijinks, the whole nine yards. Now we're here, with Back in the Saddle, and it's Jessie and Eric's story. Eric Turner had his introduction in the Rock Chick books—a former FBI agent who left the scene because his partner betrayed him by being a crook, Eric's had a rough go. Add in some personal life drama and he's been ready for his happily ever after for QUITE some time. Enter Jessie Wylde, the Avenging Angel who is a mixologist by day, and worried older sister by night. She's looking for her brother as he struggles with his mental illness and is on the run, and she's desperate to find him. Eric's been about Jessie since he saw her months ago, so when she needs the backup, he wades in and makes his intentions knownnnn. It's time for another adventure in KA Land... Strap in! Okay, so on to the good stuff: This installment gave me all the warm fuzzy favorites that I associate with Kristen Ashley books. Namely, that we're here for a good time and not for a literary deep dive. I say "Kristen Ashley Land" when I talk about her books because it's like Disneyland—it has its own ecosystem with its own mannerisms, rules, sense of time/place, and culture. These books don't feel current or even grounded in our universe—they're grounded in location (here, it's Phoenix) but the time period feels like its own bubble of the past and present together and the characters all act in a very particular way that doesn't feel like Reality but isn't necessarily a fantasy. It's a vibe, and I know it's a very particular one that clashes with more people than it meshes with. I'm a mesher, but you reading this might be a clasher (and that's okay). KA isn't for everyone. That being said—being in the zone in a KA book is an endorphin high like little others I've experienced in books. So I was flying high on my drug of choice once more: these stories. Eric and Jessie were very emotionally stable and wonderful characters to follow and I enjoyed their sweet romance very much. Maybe some less good stuff: Okay. So it pains me to admit this, but Back in the Saddle was not my most favorite book in the KA universe. But hold up, because I know sometimes a 3.5 star rating is seen negatively by a lot of people and I don't mean to knock this book down at ALL. It's just, we wanted different things here. I'm a person who needsssss that angst. That drama. That I-don't-know-how-they'll-make-it-past-that-hang-up push and pull in romance. That oh-baby level of steam based on extenuating circumstances and tropes like forced proximity and instant attraction fueled with angsty vibes. And Jessie and Eric's story? Was all fluff. They didn't have drama, because they were reasonable adults who loved each other and communicated. Different strokes for different folks, I know, but for me? I wanted Eric and Jessie to go through it before their happily ever after and they didn't. Couple the lack of relationship drama with a serious lack in DRAMA drama (again, reasonable adults with reasonable boundaries means everyone was too on the same page for us to get TO the drama stage) means that I was craving a drama fix that I didn't necessarily get. However, all of my quibbles here are because I'm a drama-loving, extremely over-the-top romance reader. So my fellow readers, if you like something softer and more emotionally balanced, take those signs as a positive! Regardless, I am LOCKED IN to the concepts that were teased in this book for a future Harlow story and a future Luna story. Those seem... dramatic...!!! Many thanks to the author for my copy in exchange for an honest review. |
Amy Imogene ReadsJust someone looking for her own door into Wonderland. Categories
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January 2025
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All reviews posted are my own and do not reflect the opinions of any other individual or entity. When applicable, reviewed titles sent to me by the publisher are noted at the bottom of each review.
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